Black City
Sadayatana Podcast #51
Average Bitrate: 156kbps mp3
Download: archive.org
Cover: Maxx & Lili
Podcast Mirror Site: archive.org
Direct URL: Black City
Review at archive.org: Sadayatana #51
Some tracks from the new Joe Frawley release: "Curious Perspectives". Love his music. Thanks for making it Joe.
Excerpt from an unreleased track from Disturbed Earth, Shane Morris, and Kirill Platonkin: "Rolling Stock". Very cool. Play this some more when it comes out. Hopefully on Buddhist on Fire. Hehe.
Red Fog's "Memory Of The Ferrofluids" --oh man those water samples. So groovy.
Thanks to Shane Morris for providing many of the shortwave samples used.
Thanks also to Dean Richards aka Disturbed Earth for the professional show id voiceover. I will be playing it more in future. When not otherwise occupied with Disneyland, Nascar, Monster Trucks or midget wrestling.
| start | artist | title |
|---|---|---|
| 00:00 | ithinkimissyou / errata | shortwave snippets #3 |
| 00:29 | Dave Howes / The Implicit Order / Mystified | RomeoAlpha / Numbers Station / Bifurcation |
| 10:49 | Disturbed Earth | Disturbed Earth Loves Sadayatana (you should too) |
| 11:25 | Joe Frawley | Departure / Dark geometry |
| 16:40 | Shane Morris | Shortwave Sample 6 |
| 17:15 | Giorgio Ricci | txc 2.5 |
| 20:04 | Shane Morris | Shortwave Sample 7 |
| 20:32 | w.x & thescientist | Hazardous Materials |
| 25:42 | Joxfield ProjeX | 01 - Investigation |
| 27:49 | Red Fog | Memory Of The Ferrofluids |
| 42:13 | Shane Morris | Shortwave Sample 14 |
| 42:36 | Backyard Ghost | The Darkest Path |
| 45:57 | Backyard Ghost | Free Range |
| 52:36 | Disturbed Earth, Shane Morris, Kirill Platonkin | Rolling Stock |
| 59:49 | ithinkimissyou / errata | shortwave snippets #3 |
| 60:42 | Joe Frawley (Rachel Rambach, vocals) | Angel Box Two |
| 61:56 | Joe Frawley | Ghost in the mirror |
| 65:03 | Sleep Clinic | The Mute Unconscious Speaks It's First Words |
| 67:28 | room101 | LAG-1.6 |
| 73:48 | Red Fog | Frostar |
| 79:38 | sarana | kartan ala |
| 87:29 | Sleeping On Lotus Ashes | Deconstruction Of Geronimo's Cortex |
| 102:25 | Shane Morris | Shortwave Sample 29 |
| 102:44 | Cassiel | Ciocirlia |
| 106:14 | Kirill Platonkin | Tamer Of Magnetic Storms |
| 111:34 | Giorgio Ricci | txc 13.5 |
| 114:40 | Martin Backes | Obfuzzcation |
| 119:50 | Shane Morris | Shortwave Sample 4 |
| 120:33 | Atciv | Reruns from Sag A* |
| 124:08 | omara | atmospheres 3 |
| 124:33 | Disturbed Earth | Disturbed Earth Loves Sadayatana (you should too) |
| 125:08 | Sam Squarewave | Taps a Lullabye |
| 125:11 | omara | atmospheres 3 |
| 128:49 | ithinkimissyou / errata | shortwave snippets #3 |
| 129:42 | Sleep Clinic | Television Sky |
| 135:55 | Joe Frawley | Lost frescoes |
| 139:34 | George Christian | Alien Tune |
| 141:34 | Ambienteer | Konets |
| 144:37 | 02 George Christian (with Tod Shelton) | Unrecognizable Fantasy I |
| 148:40 | ithinkimissyou / errata | shortwave snippets #3 |
| 151:07 | Tree Helicopter | Count Control Control |
| 154:34 | Shane Morris | Shortwave Sample 1 |
| 154:56 | Shane Morris | Shortwave Sample 2 |
| 155:17 | Shane Morris | Shortwave Sample 3 |
| 155:34 | Swaying Smoke | Ill Consequences |
| 158:33 | The Implicit Order | Numbers Station Reprise |
| 160:30 | Sleep Clinic | High Above A Frozen Steppe |
| 165:16 | Joe Frawley | Artificial magic |
| 169:39 | Joe Frawley | Tiresias' walk |
| 174:00 | Joe Frawley | Yes, please, yes |
| 175:51 | Joe Frawley | Touch |
| 177:59 | Arvid Asplund | Du är min ro |
His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandernonium. The darkness always teemed with unexplained sound -- and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.
- H.P. Lovecraft, Dreams in the Witch-House






John Tocher surveys the free music landscape for new and old releases encompassing the realms of avant garde, experimental, electronic, musique concréte, industrial, dada-ist music. A transplant from the Los Angeles area, he now makes his home in southeast Texas near the border with Louisiana --deep in swamp country, where the ambiance is enhanced by cicadas and the occasional hurricane.