And again, the dark street. The dark, dark street. The women out shopping for the evening meal of course, and baby carriage and the silver bicycle were already painted out by the darkness; most of the commuters too were already in place in their filing-drawer houses. A half-forsaken chasm of time....
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others--the living--are those who pushed their luck as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In.
...and to this hour the image of Carmilla return to mind with ambiguous alterations--sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.
John Tocher surveys the free music landscape for new and old releases encompassing the realms of avant garde, experimental, electronic, musique concréte, industrial, dada-ist music. A transplant from the Los Angeles area, he now makes his home in southeast Texas near the border with Louisiana --deep in swamp country, where the ambiance is enhanced by cicadas and the occasional hurricane.